In terms of her own development, she originated very much from the quadrant of Blake’s depiction of Rahab in his poem “Jerusalem” (produced artistically as 100 pages in not quite line by line depiction; take a look at the cover (!)), discussed by Pierre Berger in his book William Blake, Poet and Mystic (p. 351). However the implications in her writing were completely antithetical to the interpretations of Blake’s use of it (and symbolizing in terms of her own advent as per the Mysteries, being completely in keeping with Blake’s own assertion and belief), the underlying truth being she managed to be in harmony with both paradigms, finding them not to exist in conflict at all; Reason and Imagination were completely integrated in everything she’d applied or she wouldn’t have a section that was Reality and Fantasy claiming both, deliberately giving imagination equal footing with reality in an implied integral relationship and asserting that the state of integration was such that they were one and the same. She had touched upon the same sense of integration as per the Law (as existing integrally related to nature and society and only being relevant when in integration) in her first essay, “The Flesh”.