Here are the things in the album and release that U2 have done that tie into this book, summarized without substantiation. I reiterate the list with substantiation below if you actually want to find out if this is going on.
Why this is important: -the book was published January 9th, 2016. Bono received the same book at the halfway mark as a draft in 2011. It was submitted for copyright April 2014 and received its copyright license at the end of that year. So you're dealing with a situation where the book can in no way have been contrived to fit U2's actions with their subsequent album, Songs of Experience. Which implies that Bono contrived his creative output in response to the book, because there are enough of them that it appears it could not have been chance. To find out why that could be of pivotal import, it would pay to read the book, but I'll give you the shorthand, -for the book's entire premise to fly, -Bono was so creatively involved he'd have to agree to its existence on some level. And this is enough to assert that he does. But to understand why that statement can be made that strongly, you'd have to understand what was in the book. Same goes for understanding why that may be so important, but U2 themselves have framed the import themselves quite perfectly by this choice quote they released on the day of the US recent eclipse, "Blackout, it's clear, who you are will appear".
1) Bono appears to have read the halfway draft of this book he got in 2011 -in terms of creating a song that manages to juxtapose finishing the book, along with what might be a reaction to the fact that I have lately published a spate of negative investigative articles about the band with regards to their philanthropy sources, -with the fact that I was on Killiney Bay in the draft right before the first time I met him personally, -a song which actually manages to tie into this circumstance three different ways (relying on the journal entry from the night prior)
2) Bono's preview interview for the album's release (with the Amazon Alexa podcast) had him pulling out and talking about an incident he's practically never discussed, -the theft of his lyrics for U2's album ATYCLB on his laptop - an incident that happened right after I first met him, and was thoroughly documented in the draft he received (as well as the current book), -a theft that happened 18 years ago.
3) U2 have deliberately timed their album's release with both an eclipse (to the day) and a supermoon (which happened two days after the album's release) -both events which happened before and after the first and second time I met and spoke to Bono in person in Dublin in 1999. An eclipse happened almost at totality over Dublin (over 98%) just days before I met Bono, and the supermoon occurred two days after I met him the second time. U2 timed the release of the album with a supermoon occurring two days after the album's release. All this occurrence was documented in both the draft and the current (pre-published 2016) book.
4) Bono snippets "Walk to the Water" in the BBC promotion of the new album's release, -a song that has never been performed and has only been snippeted four times in all of its existence (including this time). He edited the lyrics so that they emphasize the song's (female) subject, opening by her saying it wasn't cold, and how she walked down the "North Strand" to the sea, -which is exactly where you'd walk to go to U2's secret studio then (in 1999, not when this song was written). This is exactly what transpired when I met Bono the first time. Bono was in a position to know that this was exactly what transpired the first time, because I described the process of finding the secret studio in the draft, including describing which streets, -not to mention the conversation itself.
5) The new album, Songs of Experience has a bonus track, "Book of Your Heart" which actually has Bono describing having read something given to him exclusively for his reading alone (in which he is a character), that corresponds with several appertaining facts of the book.
6) The most significant of these is that it mentions the name change I made to my legal pen name in order to publish the book. Or at least, this is alluded to as something the writer described in the song has done, and this is something I did to self-publish. This happened after 2011.
7) Prior to this, with Songs of Innocence -Bono titled track 10 after the "sincerely" line of my opening letter that presented the draft, word for word: "This is Where You Can Reach Me Now". This is something I cannot document because that letter was saved exclusively to the flash drive that Bono received.
This got started as a reply, which I've kept the link to document because the reply thread is literally when I noticed, in real time, that there could have been a deliberate interplay between the song and my book draft. (As well as the embed code just in case which is not a hyperlink.) Facebook censored me from replying, which is how this analysis took flight.
Anthony strikethrough: "Pamela Williams this is the stupidest crap I’ve ever read. So Bono stoled lyrics from you? Ok lol"
"No. And not insulting you back Anthony takes some restraint. The lyrics are not a quote -which is apparent to anyone literate. What is he doing by the look of it is tagging the period I was in Ireland and met him personally (and delivered an art theory to him as per song lyrics with some pretty serious implications). You might register the fact that every one of these points I'm listing is in the book draft I managed to get to him personally in Chicago, -2011. The draft he got, the chapter I was in Ireland and met him personally was just being begun. I had to summarize it as a series of journal entries." So in the book draft he got:
1) I was crying on Killiney Bay the night after a Full Moon just days before I met Bono for the first time. The night before I was singing my lungs out and dancing on the roof of a Dublin Pub three stories up. -With the song "Love is Bigger Than Anything in its Way". -Bono lyrically suggests to start singing, instead of 'talking' -which would suitably reference the fact that I've done a series of five investigative articles in the last year and a half or so on the band's billionaire sponsorship etc. that were deeply negative. -That's probably the reason for the 'I know the rage in you is strong" reference.
-Now when I went back into writing the Chapter on Ireland in earnest after Bono received the book in 2011, I found I'd made an error and in fact these journal entries were several days apart, -not just one day apart. So the page I put in the book footnotes (that are in the existing published book as hyperlinks) that has these same journal entries (at a higher level of detail) -they're a week or so apart instead of a day apart. The quay I was sitting on (crying) at Dalkey is on Killiney Bay. I said, "I think my heart is completely broken." In the draft Bono got the entry is only two lines and the episode on the roof (June 28th) is listed as the Full Moon the night prior. In reality the second night I listed as June 29th in his draft really took place July 6th. (Yea, I have the original volumes (handwritten journals, -seven of them), the only way this would have even been the result.)
This is not asserting that he is taking lyrics from me. It looks like what happened in the book draft may be something he chose to write a song (actually maybe three plus one deliberate choice of snippet) about. There's a (big) difference between that allegation and alleging "Bono's copping my lyrics".
-Disclaimer, I have run across this interview in The Sun that says the song was written for his sons (heard the same thing about "13 (There is a Light)" -Bono says on record in the liner notes that this is the case, listing three songs by title as dedicated to his children). However, as explained in the book itself, (and further below) -both sons appeared to have been named after the document I handed to Bono the first time I met him, so it may have a dual intention. It may fit both situations and fits this one a little better, as the book puts a host of songs into one giant, narrative uber song.
PS: From what I've seen, apart from this one song out of the three I'm referencing, despite the fact that Bono said all the tracks were letters of some sort to people in his life (including fans) the ones I'm mentioning have no such attribution by Bono or the band (fans assume attribution). I'm not sure why Bono would dedicate two songs to his two sons and only one song to his two daughters, and Bono has only attributed one so far to his daughters. So I'm wondering if the song was written with a dual intention, which is not a first in terms of song analysis where Bono is concerned.
PPS: I’m not the type to make an assumption about one song because that song "just happens" to fit what he received in a draft. There’s a lot else going on.
2) Bono talks about his laptop getting stolen with all his lyrics on the Alexa interview special that was a retrospective preview to the album, and only broadcast before the album's release (since this individual didn't listen well enough I checked on this interview with second source). This theft happens in the book draft I gave to Bono in 2011, -right after I documented meeting him personally in the draft. "-But [Anthony is] too dim to consider how I might possess a scan of the newsprint article that documents when he recovered it, and exists as its own page because it is an actual book footnote in a book that was already published in iBooks January 9, 2016, -which means I've already written and published this so I cannot have possibly contrived any of these pages, -nor the book's existing context to fit what Bono has since written and U2 have done in releasing this album (same goes for all the links from my book page to follow) - They all exist as hyperlinks in a previously published book." The lyrics/laptop theft is dealt with in considerable detail. Bear in mind Bono's pulling out an event that happened in 1999, -18 years ago, for this interview. -And I know I got the true skivvy on this from a taxi driver because Bono talked in the Alexa interview about negotiating through bad people to get to even badder people. Ergo, The Mirror lied about the recovery.
3) I met Bono for the first time in person twelve days after an eclipse at over 98% totality took place right over Dublin, and this is in the notes Bono received in the book draft, -very shortly after the journal entry where I was crying on Killiney Bay. (Again that's original scanned newsprint that's already footnoted into the book for this very reason.) So, Bono and Co. notify everyone of "The Blackout" (the first single release to Song of Experience) -on the day of an eclipse passing very close to where I live now, it so happens, -in fact where I live it was it was 88% totality. -A blackout is what happens when there's an eclipse, btw. They quoted one song lyric from the song in this mail out to fans in the path of the eclipse: "Blackout, it's clear, who you are will appear". (They don't mention anything about "The Blackout" even being a single release that's in the pipe with this mail-out, what you saw is what people received.) "Eclipse" as both an event and analogy that have very serious occurrences; it is an existent analogy throughout the book. (You can search the term. -In fact the one line of lyric responsible for triggering this whole book, or even traveling to meet Bono in 1999 (let alone bothering to write about it), was "You know the sun is sometimes eclipsed by a moon, y'know I don't see you, when she walks in the room" - "The Fly".)
Interestingly enough, one of the very few (two) religious essays I did for the book, centered on a female theologian whose entire religious practice centered on "learning to walk in the dark" - naturally, -because her system of thought was something the book explored doing existentially. (-This was released publicly at the time of writing.)
After signifying the first single with the eclipse, U2 released the album Songs of Experience, two days before a supermoon occurred. -In the book draft Bono received I recorded how I met him personally a second time at the Octagon Bar in The Clarence Hotel in Ireland and the supermoon, which was declared by the Irish Times to be the brightest in 136 years, happened two days after I met him the second time. That is why the book also has a footnote about that as well. -This is also in the notes Bono received that were the book draft at that time. Now what's absolutely mind-blowing about this, is that the supermoon occurs in the book draft two days after I met Bono the second time where we spoke and I gave him a Christmas gift, which is the exact date spacing of how U2 timed the album's release, with the supermoon occurring two days afterward.
4) Bono deliberately snippets "Walk to the Water" in the BBC broadcast promoting this album at the end of the performance of "All I Want Is You": "Walk to the Water" has never been performed. This is the 4th time it's been snippeted in all of its existence (30 years). These are the lyrics. He drops a very sensitive quatrain about the song's subject; she wore a "necklace given to [her] by [her] father".
-Bono skips that part of the song in this snippet of "Walk to the Water" to go onto the Dublin streets: she "turned left on the Northstrand, and out towards the sea". -If you know where that is, in Dublin, -you'd know that it changes into Pearse Street when it turns left (if you're going south east on it) and later becomes Rings End Road, -and that was exactly how to get to U2's then (1999, certainly not in 1987 when "Walk to the Water" was written) secret studio (which was on Hanover Quay on the Grand Canal, and you can google that location now as they decided to let it go). -If you followed the North Strand turning east you'd get to their secret studio, if you just took two more turns at the right place (taking a left just before the Grand Canal, and then turning right onto Hanover Quay). Turning left on the North Strand is the same as turning towards the mouth of the River Liffey, the estuary and the sea. Which I walked before and after meeting Andy a couple of times by chance (Guggi's brother -Guggi is practically Bono's best friend in the world)) -I followed North Strand to Rings End (Rings End was overshooting it, actually the turn off was on Pearse Street) until I came to the secret studio and sat on the bench outside and first met Bono. The book draft Bono got in 2011 goes into these encounters and the walking to get there in a lot of detail because I was in a deadline rush of sorts to sort out to Bono how I actually met him, a deadline determined by a concert ticket. How finding Bono transpired was actually sort of odd and interesting, because it took a series of things happening by chance (Andy included), -and I had to blow Andy's mind by proving that with the song "The First Time" Bono was referencing a feminine Holy Spirit (not by trying to, it was that his mind was blown that prompted him to divulge the location). It took quite a convo to tease the location out of him. So the book mentions "Pearse Street" and "Rings Road". -You can search the book for terms after you've found them on Google Maps. The book has a search option. Incidentally Bono has written a song about Andy all of two times, "Bad" in 1984 (which reappeared and became a regular in their live set after the delivery in 2011 was made), and "Raised by Wolves", which appeared on the first subsequent album Songs of Innocence after Bono received this book draft. -Yes, made a note of that observation at the time. (Scroll down, to "let's meet under the cherry tree".)
Now practically the first thing that happens when I relate conversing with Bono the first time in this book (which was the same in the draft) is that Bono goes into a brogue about how cold it is today and waxes apologetic about the state of Ireland's typical weather. And I had to suppress my comment about how it wasn't cold at all, -being from Canada. (For what I avoided saying I interjected the thought "Oh puleez". "oh puleez" will pull up that first conversation with Bono.) -So Bono's literally teased out this verse snippet on the BBC broadcast and modified it (by dropping half of the first verse and going onto the second) -so that it happens to fit the actual context of when I first actually met him -that again (*sigh*) -was transcribed in the book draft I gave to him in 2011 and presently exists in the actual book. -The first line in "Walk to the Water is, "She said it wasn't cold". So the choice of snippet just happens to have fit the real situation.
All of these events happen in just a few pages in the draft that Bono got. They formed the substance of that chapter then, which is certainly not how it stands now.
5) The album has a bonus track called "Book of Your Heart" - the first verse sure looks like he might be reading a book he received personally that is his sole edition, doesn't it? (No one's ever going to see that draft other than himself.)
The song opens "Right from the start, you put this into words, how you think we should proceed" - I began writing in reference to the matter when I was 21, the "big" concept landed at 25, and then I began writing in earnest. "Love is Bigger Than Anything in Its Way" - has "So young to be the words of your own song". - If you follow the protagonist in this book the full course, you'll find out this linking situation - (-when the protagonist exists as object in an array of songs and you put that all together for the first time as a book, that book is the first elucidation of the whole song-) -this situation of the protagonist as object actually can be traced back to when she was just thirteen years old, with Bono coming into the picture at sixteen, not that any of this was known at those ages. The watershed moment that came on like a neutron bomb happened at age 21. The really freaky part is that in terms of becoming her own song, her own self-conceived myth that ends up playing out through the book, the character she came up with that becomes this myth personae in later years, she came up with at age 12; -first writing the story's beginning at age 14.
"Write a world where we can belong" -in "Love is Bigger Than Anything in its Way" -looks like an endorsement to finish writing (but that the writer is on their own). Bono got a draft that was at the less than halfway mark. And subject to some serious revision in key earlier chapters after he got it (one got added). Only he's ever going to be in a position to know the difference.
"Book of Your Heart" also has the lines "This is the promise that we'll stay, Through the long descriptive passages, Where we don't know what to say" -Also looks like reading a book (and may also allude to the first encounter, the entire intercourse was of what was not said). The book's a wordy one that clocks in at 836 pages last I checked (in Word). The song also has "We are not fictitious characters, we don't belong to this world" -which again, indicates characters that exist as writ. It is very fitting for a book that centers on Bono and a protagonist between the two of them, plus an associated ensemble cast, and deals in pre-conception existence (post-death as well).
6) "Book of Your Heart" mentions a name change. When I met Bono and made the deliveries, both in 1999 and 2011, I went by a different name. The book's legal pen name is Pamela Williams. (It's right on the cover.) You'd have to be fairly aware of me, I know, to understand that I changed my name between 2011 and now to release the book, -but I did so on all my social media, it so happens. If you find this dubious, well, I decided on the pen name in 2000. It's on record in the book itself that I'm going to change my name for it -and what the name will be. You can search the name inside the book also to find this out.