“THE FEEDBACK LOOP:
The feedback loop goes like this: June generates something, a state, a feeling, a thought, parameters. She’s been trying to create a communal consciousness through her existence as a conceptual nexus that’s derived from by many . . . through the universal unconscious.
So June sends out into the empty nether, through thought, the back of her mind. Not her common voice. This goes out into the u.u. (universal unconscious) sea. It gets met, it gets picked up. An artist is inspired. Perhaps God is the connection that allows this to transmit, when otherwise it never would.
The artist renders, a song in answer to June’s silent voice, the voice sent into the unconscious. When this is rendered and June hears it, she knows what she sent out succeeded, and she in turn amplifies, builds on what was created. It is a mental feedback loop, the feedback is rendered in the songs. It loops through the unconscious, surfaces in the music, and goes back through June into the unconscious again. It keeps growing and transforming. ‘and no one can deny, we tried to hold onto the pulse of a feedback current, into the flow of encrypted movement’ –“Try Try Try” – June is ‘pop tart’, because pop, all over, is where she is rendered. The tart because she is being jibed for being universal, she is not just Billy’s muse, but a lot of people’s. Billy’s always jibed her for this: ‘now you belong to them all’ (Here’s to the Atom Bomb).”